2009 did indeed see new DDR titles, namely DanceDanceRevolution X2 for the PS2 and DanceDanceRevolution Hottest Party 3 for the Wii, both released in North America on 27 October 2009. But its PS3 and 360 counterparts took their sweet time until eventually they were unofficially declared as cancelled. Well actually, they did come out in some form later on, but that's another story. But at the time, the games we did get felt like the opening act for a main event which never showed up. So now that time has passed, let's analyse the games on their own merits.
We shall start with DDR X2. Not to be confused with the future arcade edition of the same name (again, another story), the 2009 X2 is essentially a direct sequel to DDR X, inasmuch as a rhythm game with no plot can have a direct sequel. Its interface is a re-skinned version of X's, focusing on violet and gold colours and funky city motifs. The new single-player modes are Dice Master Mode, a pseudo-board-game interface for playing missions and unlocking new content, and Request Mode, a simpler affair more like the Mission Mode in Extreme. I couldn't tell you more about these modes because I never bothered to play this game -- I know, shocking. Maybe it's the music setlist: with a total of 62 songs split between licences, new Konami originals, leftover Konami originals from X, and a smattering of revival songs which no one cared about. Seriously, "Tierra Buena"!? Oh, and the Groove Radar Specials from SuperNOVA2.
Meanwhile, Hottest Party 3 made significant changes in both design and gameplay, compared to its own predecessor. HP3 is the first DDR game to use a "Cover Flow" layout (popularised by iTunes) in its music select screen, displaying album artwork in a 3D-ish line. And in addition to the traditional dance-pad gameplay, there's a separate mode where you use the Wii Balance Board, swinging your centre of balance to hit notes. I've never owned a Balance Board, so again I couldn't be bothered to try this game. The song list is also 62 large and shares many of the tracks from X2, but instead of pre-existing Konami originals, they threw in new licenced songs not found in X2, thus trapping fans (myself excluded) in a proverbial rock-and-a-hard-place quandary. And a (not so) Fun Fact: the Japanese version of HP3, Dance Dance Revolution Music Fit, is as of this post the last home DDR game made for Japan.
I know what you're thinking (and if I'm wrong, allow me to put words in your mouth): "Kevin not buying the new Dance Dance Revolution game? What has this world come to?" Well, I've grown a lot more cynical for one thing, especially since SuperNOVA came about and Konami decided to stop innovating. (As a matter of fact, SuperNOVA2 was the first game in a while which I didn't pick up within the first few days of its release, if you want to split hairs.) But it's not just the unchanging experience which turned me off. Content is nine-tenths of the law when it comes to music game sequels, and neither did I feel a connection in this area. Whereas the licenced songs in X were in short supply and generally the products of lesser-known artists, X2 and HP3 reversed this trend by shifting the focus onto top-40 hits from the past year or two. Acts like Ne-Yo, Pitbull, Lady Gaga, and Rihanna are represented in both games. However, this approach sometimes lends itself to picking less-than-danceable selections. Seriously Konami, I like Coldplay's "Viva La Vida", but it doesn't have the kind of energy that I could step to.
Also, I'd like to discuss a certain trend which really became noticeable around this time: the edited versions of licenced songs appearing in DDR games, mostly the American and European home versions, are generally bollocks. As you might know by now, most songs in DDR run for about a minute and a half, less than half of their original runtimes. A good editor would excise verses and choruses to get to the target length, and leave no indication that anything was cut unless you were familiar with the full version. However, the approach Konami has taken as of late is to just run the song from the beginning and just fade out whenever it felt "right", usually in the middle of the second verse. Does the song have any profanities, even mild ones? Just skip over the offending verse and use the next one, they would say, no need to track down the clean version. And then there's Vanilla Ice's sarcastic-quotes magnum-opus end-sarcastic-quotes "Ice Ice Baby", which possibly has the worst edit out of all licenced songs in DDR. For some reason they used only the first verse, avoided the chorus whenever possible, and ended with thirty seconds of a lyricless outro. See for yourself:
And it gets even worse: X2 and HP3 also introduce* remakes of some classic Konami originals, such as "Brilliant 2U", "Keep On Movin'", and "Dynamite Rave". And by "remakes", I mean they cheapened up the production, wrote new lyrics, and got their in-house singers du jour to give a half-hearted performance. Now, I'm not equating the original versions with the best records out right now, but they did have their own nostalgic charm because that '90s-flavoured camp is what I grew up with as a DDR player. And being offered something that's presented as one of those old favourites but turns out to be something completely different is disappointing, like when you drink champagne and it tastes just like
Konami, I am disappoint. Oh well, looks like it's up to the arcade series to karmically balance out this franchise. Find out if they make it happen, next time on Dance Dance Retrospective!
*NB: These remakes first appeared in the Japanese version of Hottest Party 2. That is except for "Dynamite Rave", which was used in the arcade version of DDR X , but with the old stepcharts untouched.